St Matthew Passion Wikipedia. Title page of Bachs autograph score of the St Matthew Passion. The St Matthew Passion German Matthus Passion, BWV 2. Passion, a sacred oratorio written by Johann Sebastian Bach in 1. These are pdf files of classical music arranged for recorder groups. I appreciate your feedback. If you find mistakes in the music or misplaced link, please let me know. Soloists SSATB First and Second Maid, Pilates Wife sopranos Evangelist alto Witnesses altos, tenors Jesus, Peter, Judas, Pilate, Pontifices I and II basses. Work Title Siehe zu, dass deine Gottesfurcht Alt ernative. Title See to it that thy fear of God be not hypocrisy Composer Bach, Johann Sebastian. The Complete List NPR Musics Favorite Songs Of 2015 More than 400 of the best songs of 2015, selected by NPR Musics dedicated listeners and crossing. Erbarme Dich Vocal Score Pdf' title='Erbarme Dich Vocal Score Pdf' />Purcell. The Fairy Queen. Glossa GCD 922702 2 CDs, September 2017. Booklet pdf. Sbastien dHrin, Les Nouveaux Caractres. Erbarme Dich Vocal Score Pdf' title='Erbarme Dich Vocal Score Pdf' />Picander Christian Friedrich Henrici. It sets chapters 2. Gospel of Matthew in the German translation of Martin Luther to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J. C. secundum Evangelistam Matthum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew. Contents. History. Composition. Structure. Movements. Part One. Erbarme Dich Vocal Score Pdf' title='Erbarme Dich Vocal Score Pdf' />Kommt, ihr Tchter, helft mir klagen. Mt 2. 6 12. 4. 1. Herzliebster Jesu, was hast du verbrochen. Mt 2. 6 31. 34. Du lieber Heiland du Bu und Reu. Mt 2. 6 1. 41. 64. Blute nur, du liebes HerzMt 2. Ich bins, ich sollte ben. Mt 2. 6 2. 32. 94. Wiewohl mein Herz in Trnen schwimmt Ich will dir mein Herze schenken. Mt 2. 6 3. 03. 24. View and listen to String Quartet and other Chamber Music sheet music arrangements from the catalogue of the Gyros String Quartet. Statistics yesterday 690 unique visitors 1131 PDF downloads 185 PDF visualizations 244 MP3 plays and downloads. Bach did not number the sections of the St Matthew Passion, all of them vocal movements, but twentiethcentury scholars have done so. The two main schemes in use. Erkenne mich, mein Hter. Mt 2. 6 3. 33. 54. Ich will hier bei dir stehen. Mt 2. 6 3. 63. 84. O Schmerz Hier zittert das gequlte Herz So schlafen unsre Snden ein. Mt 2. 6 3. 94. 1. Der Heiland fllt vor seinem Vater nieder Gerne will ich mich bequemen, Kreuz und Becher anzunehmen. Mt 2. 6 4. 04. 24. Was mein Gott will, das gscheh allzeit. Mt 2. 6 4. 35. 04. So ist mein Jesus nun gefangen Sind Blitze, sind Donner in Wolken verschwunden Mt 2. O Mensch, bewein dein Snde gro4. Part Two. 4. 2. 1. Ach, nun ist mein Jesus hin Mt 2. Mir hat die Welt trglich gerichtt. Mt 2. 6 6. 0b6. Mein Jesus schweigt zu falschen Lgen stille Geduld, Geduld Wenn mich falsche Zungen stechen. Mt 2. 6 6. 3b6. Wer hat dich so geschlagen. Mt 2. 6 6. 97. 54. Erbarme dich, mein Gott, um meiner Zhren Willen Bin ich gleich von dir gewichen. Mt 2. 7 16. 4. 2. Gebt mir meinen Jesum wiederMt 2. Befiehl du deine Wege. Mt 2. 7 1. 52. 24. Wie wunderbarlich ist doch diese Strafe Mt 2. Er hat uns allen wohlgetan Aus Liebe will mein Heiland sterben. Mt 2. 7 2. 64. 2. Erbarm es, Gott Hier steht der Heiland angebunden. Knnen Trnen meiner Wangen. Mt 2. 7 2. 73. 04. O Haupt, voll Blut und Wunden. Mt 2. 7 3. 13. 24. Ja, freilich will in uns das Fleisch und Blut zum Kreuz gezwungen sein Komm, ses Kreuz, so will ich sagen. Mt 2. 7 3. 34. 44. Ach Golgatha, unselges Golgatha Sehet, Jesus hat die Hand uns zu fassen ausgespannt, kommt Mt 2. Wenn ich einmal soll scheiden. Mt 2. 7 5. 15. 94. Am Abend, da es khle war Mache dich, mein Herze, rein. Mt 2. 7 5. 96. 64. Nun ist der Herr zur Ruh gebracht. Wir setzen uns mit Trnen nieder. Reception. 6References. Sources. 8External links. HistoryeditFair copy in Bachs own hand of the revised version of the St Matthew Passion BWV 2. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1. Versions and contemporary performanceseditLittle is known with certainty about the creation process of the St Matthew Passion. The available information derives from extant early manuscripts, contemporary publications of the libretto, and circumstantial data, for instance in documents archived by the Town Council of Leipzig. The St Matthew Passion was probably first performed on 1. April 1. 72. 7 in the St. Thomas Church, and again on 1. April 1. 72. 9, 3. March 1. 73. 6, and 2. March 1. 74. 2. Bach then revised it again between 1. First version BWV 2. In Leipzig it was not allowed to paraphrase the words of the Gospel in a Passion presentation on Good Friday. A setting of the then popular Brockes Passion libretto, largely consisting of such paraphrasing, could not be done without replacing the paraphrases by actual Gospel text. That was the option chosen by Bach for his 1. St John Passion. In 1. Christian Friedrich Henrici, a Leipzig poet who used Picander as pen name, had published Erbauliche Gedanken auf den Grnen Donnerstag und Charfreytag Edifying Thoughts on Maundy Thursday and Good Friday, containing free verse suitable for a Passion presentation in addition to the Gospel text. La Mala Educacion Streaming. Bach seems to have stimulated the poet to write more of such verse in order to come to a full fledged libretto for a Passion presentation combined with the Passion text chapters 2. Gospel of St Matthew. Since 1. 97. 5 it is usually assumed that Bachs St Matthew Passion was first performed on Good Friday 1. April 1. 72. 7,3 although its first performance may have been as late as Good Friday 1. The performance took place in the St. Thomas Church Thomaskirche in Leipzig. Bach was Thomaskantor i. Cantor, and responsible for the music in the church since 1. In this version the Passion was written for two choruses and orchestras. Choir I consists of a soprano in ripieno voice, a soprano solo, an alto solo, a tenor solo, SATB chorus, two traversos, two oboes, two oboes damore, two oboes da caccia, lute, strings two violin sections, violas and cellos, and continuo at least organ. Choir II consists of SATB voices, violin I, violin II, viola, viola da gamba, cello, two traversos, two oboes damore and possibly continuo. Funeral cantata for Kthen BWV 2. Klagt, Kinder, klagt es aller Welt, BWV 2. March 1. 72. 9 in Kthen at a memorial service held some months after the death of Leopold, Prince of Anhalt Kthen. The music of the cantata consisted largely of music adapted from the St Matthew Passion. Passion performances in the St. Thomas Churchedit. Small organ loft in the St. Thomas Church, that would have fitted Chorus II and Orchestra II of the St Matthew Passion in Bachs time note the organ on this photograph is a late 2. At the time only men sang in church high pitch vocal parts were usually performed by treble choristers. In 1. 73. 0 Bach informed the Leipzig Town Council as to what he saw as the number of singers that should be available for the churches under his responsibility, including those for the St. Thomas Church a choir of twelve singers, plus eight singers that would serve both St. Thomas and the Peterskirche. The request was only partially granted by the Town Council,7 so possibly at least some of the Passion presentations in St. Thomas were with fewer than twenty singers, even for the large scale works, like the St Matthew Passion, that were written for double choir. In Bachs time St. Thomas Church had two organ lofts the large organ loft that was used throughout the year for musicians performing in Sunday services, vespers, etc., and the small organ loft, situated at the opposite side of the former, that was used additionally in the grand services for Christmas and Easter. The St Matthew Passion was composed as to perform a single work from both organ lofts at the same time Chorus and orchestra I would occupy the large organ loft, and Chorus and orchestra II performed from the small organ loft. The size of the organ lofts limited the number of performers for each Choir. Large choruses, in addition to the instrumentists indicated for Choir I and II, would have been impossible, so also here there is an indication that each part including those of strings and singers would have a limited number of performers, where, for the choruses, the numbers indicated by Bach in his 1. Later revisions and performances BWV 2. Bach revised the Passion by 1. NPR Musics Favorite Songs Of 2. NPRThese are the best songs of 2. Now were happy to share them with you. Click on the Launch the app link below and youll hear more than 4. Theres a playlist made up of the very favorite song of the year from more than 5. Theres so much here worth spending time with, from Adele to Zofo. We hope you find something new that you love, too. Launch the app Jump directly to a genre Rock. Pop. Jazz. Folk Americana. Country. Hip Hop. R BElectronic. Latin. Global. Classicalm lt mAlabama Shakes, Dont Wanna FightBrittany Howards fiery vocals reminiscent of Robert Plant and Tina Turner make this one of the best rock songs in years. Dave Jackson, Jefferson Public Radio All Dogs, That Kind of GirlScorching distortion and propulsive punk rhythms disguise heartache and fury before Maryn Jones twists the song into a satisfying kiss off mantra Whats that mean Stay away from me Mike Katzif. Andy Shauf, Youre Out WastingOne of the years most arresting storytellers contemplates the late night voices in his head, jealousy, greed and the emptiness of unrealized dreams. Robin Hilton. Anna B Savage, IJust when the weight of Savages husky voice and breathtaking, perfect insight into low self esteem threaten to overwhelm it, this song cracks wide open and light floods in. Katie Presley. The Arcs, Stay In My CornerThe most romantic extended boxing motif youll ever hear to express commitment during the hard times, from Black Keys guitarist Dan Auerbach and friends. Mike Katzif. Asaf Avidan, Ode To My ThalamusNo one sings like Asaf Avidan. His voice is gender bending, gripping, chilling and classic. His words describes the physical sensation of the impending end of a relationship. Bob Boilen. Aye Nako, Leaving The BodyIn its glorious opening minute, Leaving The Body could be a song about anything. By its closing notes it has become a survivors tale stark enough to turn that triumphant intro menacing on a second listen. Daoud Tyler Ameen. Beach House, LevitationA winsome tone setter for band thats long since mastered the art of buzzy, sweetly nostalgic dream pop. Stephen Thompson. Beach House, One ThingA career highlight revs the engine on the Baltimore bands dreamy formula, with a perfect Dean Wareham soundalike guitar solo at the end. Jacob Ganz. Beauty Pill, Afrikaner BaristaTake a surreal funk song, work it, then flip it and reverse it into a kaleidoscope of sound. Lars Gotrich. Benjamin Clementine, NemesisThe once homeless street busker with an unforgettable voice signs with Universal, wins the Mercury Prize and, on this heart stopper, asks us to remember lifes Golden Rule. Robin Hilton. The Big Moon, The RoadIf were really gonna get any deeper into a 9. London Incredible guitar organ melancholia that also rocks. Piotr Orlov. Bjork, StonemilkerThis opening track to Vulnicura, her open chested document of a relationships end, is stunning, thoughtful, bitter and questioning in a way only Bjrk could achieve. Bob Boilen. Blur, Lonesome StreetIt is so, so, so, so great to hear Graham Coxons guitar again. Vita Solo Instruments Serial here. Otis Hart. Boots, I Run RouletteThis is the most contagious tune from BOOTS debut album Aquaria, mixing spare and muscular beats that are chilling and revealing. Bob Boilen. Bully, I RememberIf youre going to look back, you might as well fit your reminiscences into two huge minutes of white knuckle rock n roll. Stephen Thompson. Car Seat Headrest, Something SoonWhat begins as an exploration of Will Toledos neuroses builds to a fist in the air anthem to conquer all. Kate Drozynski. Carroll, Green AcresThe perfect lying on the couch looking out the window at a cloudy Sunday afternoon song. Chris Ranck, Delmarva Public Radio Chastity Belt, Time To Go HomeThis throbbing pile of guitar drone embodies the feeling inside your head right at the point where the party has gone too far. Ann Powers. Circuit Des Yeux, Do The DishesBuilt around samples from a Laotian ethnographic record, this is an arpeggiated meditation on the feminism of the everyday. Lars Gotrich. City And Colour, Lover Come BackDallas Greens soulful voice carries the listener through equal amounts of joy and lovesick sadness. Kyle Smith, WYEP Colleen Green, Deeper Than LoveDelving into seething insecurities over love and intimacy, Colleen Green masterfully unwinds strings of brutal lyrical honesty, all while maintaining her laconic cool. Mike Katzif. Courtney Barnett, DeprestonA series of mundane observations on a couples low rent move to the suburbs reveals a devastating portrait of middling humanity. Robin Hilton. Courtney Barnett, Pedestrian at BestAs Barnetts thickets of witty words spill out, her band blasts out an anthem worthy of the inevitable Nirvana comparisons. Stephen Thompson. Dan Deacon, Feel the LightningIf Pee Wee Herman made a record with Brian Eno about fear and anxiety, the result would be close to this electronic cartoon pop tune by the brilliant and fun loving Dan Deacon. Bob Boilen. David Bowie, BlackstarKendrick Lamar inspired this outr ten minutes free jazz sax, formal strings, liturgical lethargic vocals over caffeinated, terrible, beautiful rhythms. Dark, monstrous and design minded, its like a pop fusion score written for a Guillermo del Toro horror film that doesnt yet exist. Jason King. Deerhunter, SnakeskinA surprising marriage of swirling psych funk, self deprecating lyrics of being boney, homely and lonely. The best music Ive heard from Bradford Cox in ages. Bob Boilen. Destroyer, Dream LoverJust in case you were wondering what it would sound like if the E Street Band stumbled into a Dan Bejar session. Rachel Horn. Diane Coffee, Spring BreathesThis sprawling, ambitious showpiece pays tribute to late 6. Robin Hilton. Diet Cig, BreathlessCathartic pop punk with boundless vitality and wide eyed charm, especially in the way Alex Luciano revels in keen observations on escaping the pull of adulthood responsibilities like owning a shower curtain by watching Simpsons DVDs. Mike Katzif. Divers, BreathlessDivers exploded onto the Portland music scene this year on the back of incredibly intense live shows driven by expertly crafted punk rock anthems, like this song from their debut album Hello Hello. Jerad Walker, opbmusic Downtown Boys, MonstroThere is a better future, and these political party sax punks scream a powerful call to arms that nothing that they can do can push it away Lars Gotrich. El Vy, Return To The MoonThe Nationals Matt Berninger gets surprisingly funky and not so surprisingly obtuse in his fun side projects first single. Stephen Thompson. Eskimeaux, I Admit Im ScaredThese lines end this delicate yet tornadic tune stuck in my head as a perfect description of late teensearly twenties angst and made it a favorite all year And if I had a dime for every time Im freaking out we could fly around the world or just get out of your parents house. Bob Boilen. Ezra Furman, Restless YearA frenzy of poppy synths, rackety percussion and a throbbing bassline, this song effectively blends Furmans visceral indie rock roots with his newer, glossier throwback sound.